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How To Take Panoramic Pictures

Written by admin on. Posted in Articles, DSLR, Interesting, Nikon, Online Photography School, Photography, Tips

How To Take Panoramic Pictures

Understanding the way to learning at online photography school as how to do panoramic photography is one of the most exciting and fun things in photography. You can create thousands of photos that look beautiful on your wall or home office. It’s not only a great way to practice the way you look at photography in general, but a great way to master your landscape photography skills as well.

“Sunrise at the lake” captured by Jim Kious

Let’s start with why panoramas were “invented”. Software businesses knew that the scene was bigger than what our cameras could record. So they created a process called “stitching”. Stitching is a term used to describe taking a series of photos side by side and merging them together to create one single, long and wide photo.

For panorama photography you don’t need anything too expensive when it comes to cameras. You just need a tripod, clear lighting and some software. My favourite software to stitch my panoramas is called “Panorama Maker Pro”. Nowadays they have version 6 available. You can even trial it for a short period of time to decide whether or not it is suitable for you.

I have created a lot of panoramas with the software. Once complete you can clearly see how it beautifully elongates a photo. This works fabulously for landscape photography. When you want to photograph your scene and do not have a wide or ultra wide angle lens, creating a panorama is good fun.

 1. Camera Positioning

There’s one thing to make panoramas, and another thing to actually take them. There is a particular way to shoot panoramic shots and it’s less difficult than you are probably thinking. Okay, so let’s start.

Let’s start at our online photography school with photographing a landscape shot. Choose the scene you want to photograph. Make sure your landscape has nice lighting and there are no strong shadows across your scene, it will make it a lot easier to stitch if you have a clear and open scene.

“Mineret Lake Panorama” captured by Sierra Pictures

Set your digital camera up on a tripod. Keep the digital camera securely fastened and able to move about from left to right or right to left only. It’s crucial that you allow the tripod to move horizontally. If your tripod slips downwards as you are taking the picture you make risk having your photo blurry and the software will be unable to stitch correctly.

Don’t shoot into the sun. Have the sun behind you. It is better to shoot at the end of the day, or the start of the day. The light is nicer, softer and so much more gentle at the start and end of the day. The colours are deeper too.

 2. Creating Panoramic Shots

Choose manual setting and place the camera in the direction of the part of the scene you want to expose properly. Now keep the digital camera on those modes the whole time. Let’s say you have the camera at 1/250th of a second and F20, 100 ISO. You’ve decided that you want a certain part of the picture to be well exposed and these settings will do it. That’s good, keep them that way and don’t change the settings at all.

Once you have chosen your settings, now take a succession of photos, one after the other. Turn the camera from left to right, for example. Make sure you leave a section of the scene as overlap. Your stitching software needs to overlap something.

 3. What can panoramas be made of?

Fast moving subjects may not work- depending on the light. Begin with motionless subjects. Landscapes with a nothing but blue sky and a mountain range are good subjects to begin with. Nothing is fast moving so the software should not have any concern stitching your scene together. Let me explain.

“Metropolitan Cathedral” captured by Richard Deane

If you are shooting with a shutter speed of /125th of a second and the subjects is fast moving, like water for example, then you may not have a fast enough shutter speed for the motion of the camera and the water. In one photo the water will be at the top of the rock and the next photo the water will be half way down the rock.

When the software tries to stitch two irregularities together it will not be able to form a complete picture. You must always keep the shot without movement so the software can stitch the image in exactly the same spot. It will then make photo 1 the same as photo 2. There will be no difficulties and the two photos will come together nicely.

However, on saying that, if you have loads of light and a fast shutter speed you must to move the camera sooner than the water is moving. In other words, you need to move super fast to make sure you position your digital camera in a way that the stitching will match up.

 

 If the water is moving at 1/250th of a second, then you need to move at 1/500th of a second. You need to move the camera from left to right, faster than the water. But for now, start with a single picture without movement of any kind. Keep your mind on a stationary subject. It’s simpler in the beginning that way.

 4. What other scenes make great panoramas?

There are heaps of ways to make your photos wide and big. Mountain ranges are not the only types of things that look good as panoramas. Once you have mastered the shutter speed and speed of motion for photographing a series of pictures, why not attempt a waterfall. Once you have mastered this method of panorama taking, you can work to produce panoramas in any direction. Not only do horizontal panoramas work but so do squares (tiles- two at the upper section of the photo and two at the bottom of your image), and so do vertical scenes.

Photo captured by Alexander Volek

I took a sequence of shots at Katoomba National Park in New South Wales, just a couple of hours drive out of Sydney, Australia. I did what was referred to as a “tile.” The shot comprised of 6 photos; 3 bottom ones of the scene and 3 top ones of the scene. I was very careful not to overlap any sections of the water because I was unable to shift the digital camera quickly and have a fast shutter speed. My overlap points were rock instead of water.

Why did I chose this? This was due to the sunlight dipping behind the mountain. I used a very high ISO to compensate for the light decrease. I knew it would be okay to do this as my camera wouldn’t overexpose anything in shadowy lighting like this. I was fortunate, the shot turned out well.

 5. Stitch Your Shots Into Panoramas.

Once you have taken a series of shots from left to right, say 5, simply upload the photographs to your computer. Open up the Panorama software program. Then, once you are in, select the photos you want to work on. You will be able to follow the instructions pretty well when you are in the program itself. If your panorama works well, you should see a big scene. It is astonishing to see, for the very first time, that your photos have now become one and you are looking at a big photo- exactly the way you saw it with your own eyes. It’s a stunning thing to experience.

Making panoramas is a superb way to not only become skilled at the art of photography but helps you look at scenes in a different way. You will have a fresh appreciation and excitement for landscapes especially. Don’t just stick with landscapes. Once you grow more familiar with the progression, try creating photos of trees, water, oceans (remember your light and shutter), roads, and even pathways.

“Columbia River Panorama” captured by Jack Harwick

Everything I have pointed out seems like a landscape scene, but if you do additional shooting you will find you can create a panorama out of just about anything. It’s so much fun to do!

Author:
Amy Renfrey

Visit our Online Photography School Again for better understanding of photography. You will again fall in love with what you love doing. Share The Love.

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