20 photography tips for DSLR users
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20 photography tips
This article lists 20 tips to get started with DSLR photography. It is particularly useful to those who are used to point-and-shoot digicams and now want to take the next step in their photography skills.
We used the DSLR cam as if it were a point-and-shoot snapshot cam in automatic mode, not knowing about the power of the various manual controls. The fact that some of our pics turned out nicely, says more about the camera than it says about our skills.
By experimenting a bit and reading a few books, I now know more about DSLR photography, and we hope to put this in practice. Most people know from experience that when it comes to services that could be anything from those provided by o2.co.uk to computer lessons or software or bits of equipment, that having some tips from a fellow user can come in handy. The DSLR is not hugely complicated to use but it does take some time to get used to. Hopefully with the following information you should be able to cut a few corners while you learn. I’m still a beginner though, so here’s a beginner passing on beginner tips to those who are just beginning with DSLR photography 🙂
1. Landscape composition
If you’re shooting landscapes, there is a very easy rule to follow: the rule of the thirds. The idea is simple: 1/3 or 2/3 of your image should make up either the sky or the foreground, depending on where you want to put the focus on. This gives the photo more depth and a more dramatic look. It’s a simple tip but beginners often position the horizon at exactly 1/2 of the photo.
Below is a photograph with the horizon at roughly 1/2 of the photo. Quite dull, and without any depth:
The next one focuses on the foreground, with the foreground at 2/3 and the sky at 1/3. Notice how this increases the depth:
And this one focuses on the sky (2/3), and leaves 1/3 for the foreground:
2. How to use aperture
|somewhere on your cam, there is a manual setting that shows the options P, A, S, and M. A stands for aperture. Personally, I find this the most useful manual override on any cam. Aperture indicates how much of the stuff you see in your viewfinder will be in focus. A low aperture means that only the foreground will be in focus, whilst the background will be fuzzy. This is typically used for close-ups and macro-photography, or when you simply want to highlight a subject in the photo. A high aperture means that everything will be in focus, this is typically used for landscapes.
This example shows a subject shot with a low aperture, putting the foreground in focus whilst the background is fuzzy:
This example uses a high aperture, meaning that the full scene is in focus:
The range of aperture settings differ per lens, so be sure to play around with this.
3. How to shoot ultra-sharp images
The key to shooting ultra-sharp images is to of course keep your camera steady. Most cameras now have automatic stabilizers, giving you some tolerance in your movement. However, I noticed that even with the automatic stabilizers, upon close inspection on a large LCD screen, most of our pics had subtle blur effects in them. The only way to truly avoid this is to use a tripod. Inconvenient, but indispensable if you have the believe the experts. An alternative is to use the self-timer of the cam, but you will not always have a steady surface to place the cam on.
4. Shoot in soft light
This one was kind of counter intuitive when I first heard it. I thought the best time to go shooting was in full daylight, but nothing could be further from the truth. Direct sunlight is in fact a photographer’s nightmare. It causes overexposure, harsh shadows and a loss of detail. The best time to go shooting is at diffuse light, i.e. at dusk, dawn or right before/after a shower. If you have to shoot during the day, always shoot from the side, never let the sunlight be in front of you or behind you.
5. How to use ISO
ISO is a setting on your cam that determines the film speed. For beginners like us it basically means that the higher you set your ISO, the more light comes in. So, in dark settings, you can increase the ISO to capture more light. This comes with a major downfall though: it dramatically increases the noise on your pictures, and noise is hard to remove during post processing. Ideally, you should keep ISO as low as possible, only slightly increase it when shooting in dark scenes.
6. How to use white balance
Most cameras allow you to set the white balance. The white balance setting tells the cam which intensity/colors to see as highlights. This is one of the settings that you will want to override often. For example, when I’m shooting indoors in artifical light, I set the white balance setting to the “artifical light” mode. The result is that you get pics that look as if they were shot in daylight, without the need to use a flash. Note that if you shoot your pics as RAW, you do not need to worry about white balance, as this can be set during post processing. This is not the case for JPEG images, unfortunately.
7. What is Shutter speed?
Out of the P, A, S, M settings, S stands for shutter speed. A low shutter speed is useful to get sharp pictures from moving objects. You can also intentially set the shutter speed to a high value in order to create a more experimental picture, i.e. to capture fireworks, or the trail light of a car. I have little experience with shutter speed, so I will just tell you what it is for. Note though that shutter speed automatically increases in dark scenes, you will really need a tripod or self-timer for pictures to be sharp then.
8. When to use Automatic mode
Out of the P, A, S, M settings, P stands for program mode. You can consider this the fully-automatic setting of your cam, where it intelligently sets the aperture and shutter speed for you based on what you shoot. The best use for P is when you are not sure what you will shoot. Examples can be wildlife, or an urban scene where the scene itself changes so fast that you do not have time to manually tune your camera for the shot. Be sure to shoot a lot, so you increase your chances of having a sharp shot.
9. Keep things simple
Don’t try to capture it all at once. Often it is better to keep your subject simple. Particularly complex backgrounds can really ruin a picture. Another poor example is to shoot crowds, they are simply not interesting, too complex and don’t bring a clear message.
This is an example of a meaningless picture:
Now compare this to the focus and simplicity of this picture:
10. Allow your subject to move
Particularly with a zoom lens it is tempting to comes as close as you can, and to barely let the subject fit the frame. This is not the right thing to do though, as the subject becomes too static and the viewer cannot determine the context. This is best explained by an example.
Notice how the snake barely fits the frame. It seems locked in, and we do not have sense of its context or where it might be going:
Now notice that in the next example, the bird has room to go where he is pointing towards:
11. Never trust your LCD!
This is one of the most important tips that I have. I learned this the hard way. With a modern cam, you can instantly check the quality of your shot. The problem is, everything always looks sharp on a 2 inch screen. It is not until you come home and project your pics on a large screen that you will notice the blur, unsharpness and composition errors. Do not trust your cam’s LCD. If your cam allows it, zoom in to the maximum to check every portion of your shot for errors, while you still can. Also, take a lot of shots in order to increase your chance of success.
12. Move around and experiment
A lot of photographers walk up to a scene and just start shooting. Often you will not get the best shots this way. It is recommended to move around the subject and see it from different angles. Also, try out various settings on your cam to experiment. Film is cheap. This tip is kind of a no-brainer, but many do not put it into practice. A slightly different angle can make a world of difference in exposure. I personally experimented a lot in our garden. Nobody bothers me there and I can try out lots of things at my own pace. You’ll be surprised how much you can learn and how interesting your shots can be in even the dullest of gardens. And of course, you really do not want be to be learning your cam on the scene, you should be ready on the scene.
13. Avoid built-in flashes
I never knew this either, but using your cam’s built-in flash is rarely a good thing. The problem with this flash is that it will point directly at your subject and cause hard light with harsh shadows. Diffuse light is much better. This is why most pro cams do not even have an integrated flash, instead they rely on an external flash which they point to the ceiling or wall to create diffuse light with soft tones. Also note that you can often avoid flash by tuning your ISO and white balance settings.
14. Choose one brand, and stick to it.
If you’re into digital photography for the long run, it is best to choose a single brand and stick with it. the biggest investments you will make are in lens equipment and you will want to make sure that your lenses fit when you replace the cam body. There’s plenty of good brands around, but if you ever want to evolve into a (semi) pro, it seems there is little choice: Canon or Nikon.
15. Consider purchasing filters
Filters are lens extensions that you can screw onto your lens. A common one to have is a U/V filter. It protects your lens from direct sunlight. Although many disagree with this, there’s one other benefit. The filter will protect your lens if you drop it. The filter may be gone, but your expensive lens is likely to survive. Other filters you can consider are the polarizing filter (to decrease reflections), colorizing filters (increase richness of color) and the IR filter (to shoot in complete darkness). I’m not much of a filter fan personally, as most filtering effects can be done during post-processing.
16. Learn more by watching others
A very cheap and effective way to learn about photography is to browse through photo sites that display metadata. You just select a picture you like, and then you wonder…how did he do that? By reading the meta-data, you can see which settings for aperture, shutter speed, ISO, etc the photographer used. Next, you can apply the same settings to a similar subject.
If you’re into reading books, I highly recommend to use multiple books on the subject. I have read a few and some advise was conflicting with another author.
17. Consider using Adobe Lightroom
Many of you will use Adobe Photoshop for post-processing, which is an excellent choice. Do know though, that there is a dedicated, professional-level photo processing application from Adobe as well. It’s called Adobe Lightroom, and comes far cheaper than Photoshop. Although targetted at professionals, even a noob like me can use it. In essence, the “Develop” panel will show you a ton of sliders that you can use to tune your pictures.
Here is an unprocessed photo:
1 minute later, after playing around with a few sliders in Lightroom:
This example is slightly over-processed if you ask me, but it’s only an example to show how much impact post-processing can have.
18. Backups and memory cards
It is better to buy a few fast, small memory cards, than a single large one. This way you will decrease the chance of losing everything when the card fails. Also, the sooner you get to backup the card to a hard disk, the better. Always store your pictures on multiple disks, preferably at different locations. Photographs you have taken cannot be replaced once lost.
19. Keep track of what you shoot
At the very minimum write down where you were at what date. This way you can match the date of the photos with the location later on. Even better is to keep a note book to write down extra details. Some cams may also give you the option to attach a voice recording to a photograph.
20. Metering mode and focus mode
This last tip is kind of targetted towards both myself and you. I have learned that you can set most cams into different metering and focus modes. I somewhat know what this means, but have not experimented with it enough to tell you when to use which mode. For now, just know that it’s there and that it may require some follow-up.
Those were my tips. Again, do not trust me as an expert on this, be sure to read some books from professional photographers. I still hope that you found my tips to be somewhat useful in figuring out the basics of DSLR photography.
Author: FERDY CHRISTANT
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